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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries

Måleriet identifieringen::  1819
Resanden av Lazarus
1619 Museum om Louvre , Paris
1591-1666 Italian Giovanni Francesco Guercino Galleries Titta min galleri i Sverige
 
 
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John Pynas

1583-1631 Dutch John Pynas Gallery

Måleriet identifieringen::  3432
Resanden av Lazarus
1615 Philadelphia Museum av Konst
1583-1631 Dutch John Pynas Gallery Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Måleriet identifieringen::  8777
Resanden av Lazarus
c. 1630 Olja på panel. 96.2 x 81.5 cm Los Angeles Grevskap Museum av Konst. Los Angeles
Born 1606, Died 1669 Titta min galleri i Sverige
 
 
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Henry Ossawa Tanner

African-American Realist Painter, 1859-1937

Måleriet identifieringen::  11733
Resanden av Lazarus
1896( Salon av 1897) 3~ 1 1/2~~ x 3~ 11 3/4~~( 95 x 121.5 cm )
African-American Realist Painter, 1859-1937 Titta min galleri i Sverige
 
 
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Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery

Måleriet identifieringen::  29888
Den Resanden av Lazarus
mk67 Panel 37x43 5/16in Uffizi.Gallery
1480-1528 Italian Palma Vecchio Gallery Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Måleriet identifieringen::  34417
Den Resanden av Lazarus
mk93 c.1630-31 Olja på panel 38x32in Grevskap Museum av Konst Los Angeles
Born 1606, Died 1669 Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn The Raising of Lazarus oil painting reproduction

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Måleriet identifieringen::  34418
Den Resanden av Lazarus
mk93 1631 Olja på segelduk 40 1/2x44in Klar Museum och Konst Galleri England
Born 1606, Died 1669 Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn The Raising of Lazarus oil painting reproduction

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Måleriet identifieringen::  34580
Den Resanden av Lazarus
mk93 c.1630/31 Olja på panel 96.2x81.5cm Los Angeles.County Museum av Konst
Born 1606, Died 1669 Titta min galleri i Sverige
 
 
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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

Måleriet identifieringen::  42974
The Raising of Lazarus
mk170 1517-1519 Oil on canvas 381x289.6cm
1485-1547 Italian Sebastiano del Piombo Galleries Titta min galleri i Sverige
 
 
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Måleriet identifieringen::  52567
The Raising of Lazarus
c. 1455 Oil on wood, 122 x 92 cm
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unknow artist The Raising of Lazarus oil painting reproduction

   
 

 

 
   
      

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Albert van Ouwater

Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.

Måleriet identifieringen::  87262
The Raising of Lazarus
1455(1455) Medium Oil on wood cyf
Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil. Titta min galleri i Sverige
 
 
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Geertgen Tot Sint Jans

Netherlandish Northern Renaissance Painter, ca.1460-1490

Måleriet identifieringen::  87263
The Raising of Lazarus
1480(1480) Medium Oil and tempera on panel cyf
Netherlandish Northern Renaissance Painter, ca.1460-1490 Titta min galleri i Sverige
 
 
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Bohumil Kubista

(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.

Måleriet identifieringen::  90908
The Raising of Lazarus
Oil, canvas Dimensions 163,5 x 126,5 cm cyf
(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War. Titta min galleri i Sverige
 
 
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Carel fabritius

Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft

Måleriet identifieringen::  97107
The Raising of Lazarus
circa 1645(1645) Medium oil on canvas Dimensions 210.5 X 140 cm (82.9 X 55.1 in) cyf
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft Titta min galleri i Sverige
 
 
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Carel fabritius The Raising of Lazarus oil painting reproduction

   
 

 

 
   
      

Carel fabritius
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft
The Raising of Lazarus

        
 
   
 

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